Infused with the anticipation of the millennium, 'Waiting for Tonight' became an anthem for the end of an era. This version also incorporates a strobe effect throughout the music video. Later, another scene features Lopez covered with sparking crystals on her face and body. The performance was broadcast by CBS on September 7, She was clothed in a tribal-print body stocking. It featured dancers that "whirled" around the singer while green lasers swept across the arena ceiling. There is a six-second power outage A reference to the Y2K concern. And she had all the rhinestones on her face and she just looked like just dewy and stunning and amazing.
I think that was the first time anyone had used them in a video that way. And she had all the rhinestones on her face and she just looked like just dewy and stunning and amazing. The performance was broadcast by CBS on September 7, The hybrid song would foreshadow her international pop reign, paving the way for other American-born Latina pop stars to flourish, such as Selena Gomez and Becky G. Lo is extremely, overtly sexy but that's the point. Speaking of the video's concept, Lopez said: Later, another scene features Lopez covered with sparking crystals on her face and body. Lopez performed "Waiting for Tonight" for the first time on the British music chart television program Top of the Pops , on the episode that aired November 12, on BBC. In its eleventh week on the chart, it reached a peak of number four. Billboard praised the performance as a "galvanizing" opening to the ceremony. Reception and impact[ edit ] The music video was widely popular, receiving heavy rotation on MTV,  and establishing Lopez as a "dance princess". She was clothed in a tribal-print body stocking. All I Have in , Lopez performed a reworked "hyper-futuristic" EDM  and house version of "Waiting for Tonight", which included "fierce" voguing. This version also incorporates a strobe effect throughout the music video. It was after all, and anything could happen. The females later canoe over a river and travel to a rave party which is being held in a rainforest. Inter-cut are scenes of Lopez dancing in a jungle, where green lasers are flashing behind her. Kennedy stated that "we can all admit that 'Waiting for Tonight' played at our respective millennium celebrations. Newsday writer Glenn Gamboa stated that it "seemed built for the runway with all the wind machines and strutting models". The instrumentation of "Waiting for Tonight" consists of a piano and guitar. Part of it was shot at the Los Angeles Arboretum. It simultaneously built up the excitement for the New Year while kissing off the fears and drama of the past. Andrew Hampp from Billboard wrote that the "laser-drenched" performance reached "World Cup levels of euphoria for a large swath of fans". Frank Scheck of The Hollywood Reporter described her set as "Heavily choreographed, lavishly costumed and featuring the requisite pyrotechnics and video self-homage. There is a six-second power outage A reference to the Y2K concern. Overall, it spent six weeks in the top ten and was certified platinum by the Australian Recording Industry Association for shipments of 70, units.
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